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This shot was taken early september; a model wears a J.P. Gaultier’s dress. 180 mm lens is very usefull in situations like this; a background is nicely blurred, but the depth of field is still preserved, so the image in whole doesn’t look “flat”. |
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A shooting was realized for a fashion designer Iris Vrus, and took place at the shipyard, mid october. The whole production-crew had a lot of fun and were very excited, despite the pretty cold weather followed by occasional rain…a thousands of tons of steel and iron, amazingly coloured by all kinds of rust; a truck wheel-sized screws…again, the 180 mm lens performed very well here, turned ship behind a model into a smooth, creamy background. Also, pushing film one stop, contributed to contrast and vividness of colours on a “flat”, rainy day.. |
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A classic example of a mid telephoto image.. I had a light blue colour conversion filter mounted on a lens, the one that converts between Tungsten A to Tungsten B color balance in order to emphasize the blue colour of a clothing and somewhat “cooler” overall appearance of a photograph. EPL 400, which also appeared to have a neutral to cold colour balance, was along with the EPD 200 and a EPR 64, one of my favourite reversal films for fashion/portrait shooting…those were the days, my friend… |